A sculpture themed around the idea that one inflicts the greatest harm upon oneself

A work of art that speaks volumes. It depicts a cyclical process—reminiscent of *harakiri* or suicide—involving the infliction of harm. Yet, the very hammer that causes the damage can also be used to remove the nail, thereby providing a remedy. In other words, everything lies in one’s own hands: one can choose to inflict harm, or one can choose to do good.

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